This group of paintings of seemingly allegorical satellite views of mountainous terrain and desert formations are generated by unpredictable, digitally fluid compositions, and arranged over meticulous geometry as a manifestation of a struggle for control. Evoking readings of figuration, they become a bridge between the timeless and the transient, the dangers of the seen and the excitement of the unknown.

A dialogue unfolds between untamed vastness and human capacity of transformation in constellations of detailed brushstrokes that perform as cultural cannibals, devouring and reprocessing whichever element they can consume to deliver a new sovereign frontier.

In this very personal series of works, the magnitude of natural force presents as a dynamic actor in the narrative of art history and technological access, as an amalgam of the natural and the artificial.